Badhaai Ho Songs, Images, News, Videos & Photos

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News breaks out that his wife is pregnant which comes like a shock to the entire family especially the older son Nakul. He delivers even the most complex emotions so flawlessly that you are totally hooked to the screen.

Together, their performances overshadow that of the rest of the cast, including Khurrana's, who I think has reached the typecast saturation. Like Aamir khan,Ayushmann Khurrana is also making fully Infotainment. Sikri is the character with the acerbic tongue who gets the best of dialogue in the bargain.

Badhaai Ho Movie Review 3.5/5: This Labour Of Love Leaves Big Imprints On Your Hearts

Badhai Ho is definitely a film that makes you love of your family sometimes more. Nakul's Ayushmaan Kuranna family resembles a perfect happy Punjabi family until the tragedy happens when Nakul's mother Neena Gupta get pregnant on her late 50s. For sure Nakul, his brother and his his grandma everyone started blaming her and his husband Gajraj Rao for being careless. And this story spread like flame and they all started feeling exhausting on the society. Now It's reflect a story that's really badhaai ho review and anyone will want to know what's gonna happen next. The next situations are quite realistic and perfectly organised. Every scene is so funny and hilarious that makes you sit through the film. And the film has a kind of humor that can makes anyone laugh. Amit Sharma comes with this amazing story and he is successful to reach India's heart, anyone can fall in love with his work. When talking about the acting Gajraj Rao badhaai ho review a great a job and everyone else in this film is amazing, Ayushman Khurrana getting to an unique place on Bollywood day by day. The screenplay written by Jyoti Kapoor and several others is great. The background score sometimes makes the film melodramatic but that's not a question at all because the drama never gets too much because of the beautiful cinematography Best of 2018 after 'October by Sanu Varghese. There are at least a dozen examples in recent times where Bollywood has shed its usual formula of masala and cheesy romance and turned to narrative storytelling about social issues. All of which has reignited my faith in Bollywood, and thanks to director Amit Sharma, Badhaai Ho can be added to that list of films which helped in that feat. It is a perfect example of an entertaining family drama with one major conflict that is as novel as the storytelling itself. The masterful Gajraj Rao and the queen of nuances Neena Gupta are the heads of a Delhiite family - the Kaushiks - who bear the embarrassment of being preggers at an the age when others prefer or rather give in to the society-accepted job to play with their grandchildren which Surekha Sikri tries to do in the film as the paternal grandmother. How cultural stigmatization of being pregnant well over the age of fifty when you have two boys themselves active enough to bear child acts as a source of ridicule and contempt is shown in a visibly light but loud manner in Badhaai Ho. Ayushmann Khurrana plays one of her sons - an adult working-class man - who finds himself in a situation that usually demands happiness but which badhaai ho review has created some distance between him and her, especially from the eyes of his girlfriend Sanya Malhotra and her mother Sheeba Chaddha. Badhaai Ho is not a celebration of a birth but instead a narration of how the world perceives a product of love when it shifts from the routine or expected. The entire film has been carved with honesty and by giving due reverence to reality. It may not be a big deal for the casual cinema-goer but it does show where the makers are coming from. This type of attention to tiny details - whether it is in the selection of the soundtrack or the usage of the score as a cue to the audience to rejoice in laughter - is what makes Badhaai Ho an even better family entertainer. However, what sets the film apart from other recent family comedies is that every character is idiosyncratic - from their family doctor who reminds you of that overweight physician your family used to consult in the 1990s to the kin characters who also remind you of people you know in real life. They all have their badhaai ho review flavorful characteristics which not only makes the film a fun to watch but also makes you wanting more from director Sharma. Despite his last one being the noisy thriller, Tevar 2015with Arjun Kapoor and Sonakshi Sinha. As I have noted above, Badhaai Ho has an excellent suggestive score Abhishek Arora and Tanishk Bagchi that acts as a cue for you to take note of the particular scene. And such cues come and go every five minutes. The titular song is catchy and funny, which although is too loud for me, reminds me that I am watching a Bollywood movie. Special appreciation to editor Dev Rao Jadhav who concocts a complex carving so that the viewing becomes interesting. I am amazed at the sound mixing as well, which made me sit back and marvel at the amount of efforts put in the film in the editing badhaai ho review. The anti-climactic narrative may put some of you off, but it is what makes Badhaai Ho enjoyable and different. Sanya Malhotra is the only cast member who seemed out of place in the whole film. Others blend in like actual members of a Delhi housing colony, with a special visible connection between badhaai ho review actors who play the family. Malhotra is good-looking and adds brightness to the scene she is in, but her facial expressions make me want to direct her to a film school. Gupta and Rao are the highlight performances of the film, and maybe even the year. You cannot find anyone else to play the kind of a miser and innocent father that Rao plays in Badhaai Ho that you want to go and hug him if you ever meet him in person. Helping him put up a show is Gupta, who is phenomenal in her star character. I even wonder what prevented casting directors from hiring her all these years when she was out looking for a job. Together, their performances overshadow that of the rest of the cast, including Khurrana's, who I think has reached the typecast saturation. I tend to agree, after watching Badhaai Ho and Andhadhun almost within two weeks. If you thought Sharat Katariya was the only master household storyteller who directed Sui Dhaaga this year then think again. In Badhaai Ho, director Sharma crafts comedy out of thin air; out of routine familial conversations, which is so sweet to watch that it melts in your mouth like the caramel popcorn you prefer while watching such comedy dramas. There is no shortage of such palpable moments in this honest drama that you will complete watching it with a big smile on your face. But, when you go in to watch Badhaai Ho this week, don't go in to be outsmarted by a relevant story, but instead go in to get your mind blown with a crispy drama that will make you laugh and cry - in a way that Bollywood hasn't been able to in a lot of years. After watching this film,you can feel that Bollywood has still some creativity ideas film badhaai ho review alive. Because of Movies like Taare zameen par,3 idiots,Vicky donor ,nd these types of movies,many foreigner are watching Bollywood. I am requesting everyone to please give 10 rating. Like Aamir khan,Ayushmann Khurrana is also making fully Infotainment. For every person, parents are like god to them. We idolize them, worship them and respect them. However, situation comes when you realize that they have committed something which brings embarrassment to the society, especially if you are surrounded by relatives and friends in the social circle. How will you deal with it. Will you stand by them or just leave them. Badhaai Ho talks about the situation when Nakul Ayushmann Khurrana suffers the calamity fallen upon him badhaai ho review he finds out that his mother Neena Gupta is pregnant. From the director of Tevar, Amit Ravindernath Sharma brings a bold subject to the Indian cinema for the first time. It is a very sensitive subject which if not badhaai ho review well might fire back. Amit Ravindernath Sharma does well in handling the subject with maturity infusing the comedy scene in the first half which will make you laugh-aloud with emotions in the second half and comes out well as a winner. There is a scene when Surekha Sikri realizes about her daughter-in-law's pregnancy and the way she speaks and curses her will bring down the down the house. She is absolutely wonderful in her non-stop verbal spat that she keeps on talking to herself even after Gajraj Rao and Neena Gupta leaves the house. There are so many instances like this that will make you feel good without creating boredom through out this 2 hours 4 minutes journey. Kudos to the Amit Ravindernath Sharma and the writers of Badhaai Ho for doing a fabulous job. On the flip side, Badhaai Ho do loses the focus slightly in the second half when it shifts the story to Nakul and Renee Sanya Malhotra but is too little to worry about. Music is just about okay. Cinematography and art direction is simple but the background is smooth. Dialogues are outstanding especially the ones spoken by Surekha Sikri. Performance wise, it is the senior actors who have stolen the thunder. Badhaai Ho belongs to the trio - Surekha Sikri, Gajraj Rao and Neena Gupta. Even though, the film has Ayushmann Khurrana as the lead but the combination of these actors is a treat to watch. They get engrossed into their characters with so much ease that they will make you believe that they badhaai ho review actual characters in real life. Ayushmann Khurrana does well but will remind of same role played by him in Vicky Donor. Sanya Malhotra brings charm to her role as Renee. Overall, Badhaai Ho is a unqiue piece of art that should not be missed. I don't want to spoil your excitement but Badhaai ho review need to express what I felt last night. What's good - Some of your memories will revive of being in middle class society. What's bad - It's difficult to find but you'll loose your entertainment anyhow if trying to find some. The movie is the proof of the current encouraging trend in Indian cinema which is coming up with lots of original concepts. Indian movies have started regaining their old charm by keeping the stories and characters real and relatable. This movie is one of them. Some of the points which makes the movie special are. One - Conceiving a child in middle age, considered a taboo in indian middle class and the writer, director duo depicted this in a satirical way with lot of lmao moments. Two - Gajraj Rao and Surekha Sikri were exceptional and over shadowed Neena Gupta and Ayushman. I watched the movie yesterday and still laughing out loud by remembering the dialogues of Surekha Sikri. It's badhaai ho review that Ayushman is best suited for boy next door characters and he has managed the emotions with humour so well. It's really nice to see Neena Gupta after long and she has a done remarkable job with controlled emotions. Gajraj Rao has always been a good actor but recent directors are getting best out of him by showing more faith and giving more screen space. Lastly Sanya Malhotra has justified her role and she looked stunning. Last but least, it's definitely a laugh riot. The day the trailer for this movie landed I was so eagerly waiting to watch this on the big screen as the premise seemed so hilarious and original. And I wasn't disappointed a bit. The film has a very basic and simple plot. A couple in their 50's who have 2 children, get pregnant. The social stigma and embarrassment that comes from the society and their own family forms the crux of the story. The film is brutally honest and simple in it's approach and never goes overboard into preaching on what a society or family should be like. They don't lay down golden rules or have big speeches. The hero of the film is it's brilliant script, hat's off to the writers Shantanu, Akshat, Jyoti. Amit who directs the film treats the film and subject with a meticulous approach. The depiction of a typical middle class 'Delhi' vali family is so on point without going into stereotyping. Running into just a shade over 120 minutes, the movie never bores you because comic situations continue to arrive in every scene. The movie is a laughter riot and the emotional scenes gave me goosebumps and teared me up a bit. While the script is the hero of the film, the heroine of the film has to be the excellent bunch of actors. Jeetu Gajraj RaoPriyamvada Neena Gupta play the pregnant couple. Dadi Surekha Sikri plays Jeetu's old mother. Nakul Ayushmann and Gullar Shardul play the sons. Everyone is mind blowing throughout, their expressions are so on point. Gajraj, Neena and Surekha jee steal the show with their brilliant portrayals. They seemed to be living the characters. Ayushmann is on a role, back to back brilliant movies and acting. Badhaai ho is a brilliant comic caper that just cannot badhaai ho review missed. It's heavily entertaining and you will fall down laughing. The delicate issue of pregnancy in the late 50's and societal stigma that comes with it has been brilliantly handled and portrayed.

And what is there beyond the humor part is what makes this movie a happiness pill. Amit knows how to capture the essence of the moments rather than just capturing it on the surface level. Last, but my most favorite in the lot of Surekha Sikri who played the role of the mother in law. She also communicates a lot through her silences. Neighbours get curious, but the knee-jerk reactions come from members of the Kaushik household. Her elder son, Nakul Ayushmann Khurrana , who has a corporate job, is in a tizzy when he figures out what is 'wrong' with his mom. Ayushmann Khurrana delivers a brilliant performance and his act is spot on. Middle-class families are often riddled with their own set of values and social systems. How cultural stigmatization of being pregnant well over the age of fifty when you have two boys themselves active enough to bear child acts as a source of ridicule and contempt is shown in a visibly light but loud manner in Badhaai Ho. In the scene where Ayushmann Khurrana's character harangues his girlfriend's mother in her own home, both he and Sheeba Chadda - she does all the talking, she only listens - are in top form, as is the director himself.